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Minggu, 31 Juli 2011

O Terço - O Terço II (72 brazilian symphonic prog - FLAC)

I remember quite clearly - it was 1970, I was just entering my teenager years and together with some cousins and friends (I was probably the younger then) I went to a Music Festival with several Brazilian stars and a bunch of new artists.
It was then that I listened to for the very first time O Terço playing live and they really made the head of a 13 years old kid (me).

I didn't know (and didn't care too) the style or genre of music they were gigging but I was sure that that music fitted completely my taste.
So, when doing a review for any O Terço album my heart speaks as loud as my mind!
However, aside the fact that emotions flow accordingly "O Terco II" is truly a great output.

Although released in 1972, the album contained songs they had presented since the previous year.
Band line-up also changed when compared with their first album, with Cezar das Mercês replacing Jorge Amiden and keeping Sergio Hinds and Vinícius Cantuária from the original line-up - Hinds would later become a kind of O Terço's Robert Fripp or Dave Brock, being the band 'owner' with all other members gravitating around him.
However, just like they did when at gigs they certainly counted with some guess musicians and in this case, even not informed, Sergio Magrão and Sergio Moreno (either to join O Terço later) and the replaced Amiden probably participated in the tracks' recording.

"O Terço II" presents a much more solid beat and a very professional production but the blend of symphonic and psychedelic sound, with beautiful pastoral passages, a clear influence of Mutantes, Moody Blues and early Pink Floyd stuff, observed in their first output gave room to a more hard and guitar- oriented sound, now more influenced by King Crimson or even Led Zeppelin and Sabbath.

'Deus', the opening track, starts with heavy guitar (for 70s standards) soon to be accompanied by keyboards and vocals, the brand mark of O Terço appearing with the three voices singing harmonically.
Song theme is fine and could be better explored giving this song an extended length.
Guitar solo is bluesy, a bit in the Jimmy Page style, and very catchy too.
Song closure shows the grandeur of a typical prog-rock.

'Você aí', is funk-like and samba-like, the band informing musically that they never forgot their roots.
Drumming beat is great and again guitar sounds hard, together with brass instruments, a novelty for the band records.

'Estrada vazia' starts with pleasant vocals, a real O Terço feat but soon Cantuária is doing a singing solo, a rare deed for the band.
Instrumentation is soft a bit folk.
Pitifully the song is short because once again the agreeable theme could be extended.

'Lagoa das Lontras' is a typical guitar oriented track with heavy drumming but the result is only average.
The following 'Rock do Elvis' has a rockabilly touch and funny lyrics, but looks more like filler.

These 2 songs are the weakest in the album even though they are reasonably audible.

'Amanhecer total', the final track, is the great album moment - in fact a collage of fine themes, lasting 19+ minutes.
Intro is bucolic and nice, with noted female vocals (unfortunately, the singer name isn't informed) where a kind of Mutantes' Rita Lee vocals are emulated.
The first section shows O Terço's characteristic vocals, synth tunes, acoustic guitars and percussion effects, which provide a fair atmosphere.
Second section is very psychedelic with keyboard now supplying a series of effects that together with fading voices, send the hearer to a dreaming ambient, very floating, indeed.
Next segment follow the album general rule with dominating guitar riffs and low-profile keyboards; the sometimes aggressive vocals are also noticeable.
The final part starts with soft piano that resends the song to the original tunes, this time with synthesizer follies coloring the mantra-like chorus, where a rainbow sensation is intended with its continuous mutations solely to be the same.

A grand finale for a good song and a good album.

This album, one of my preferred, is another landmark when talking about Brazilian prog-rock, however filler tracks are responsible to remove one star from the masterpiece podium but it is doubtlessly an excellent addition to any music collection. (by Atkingani from progarchives)

Track List :
01.Deus
02.Voce Ai
03.Estrada Vazia
04.Lagoa Das Lontras
05.Rock Do Elvis
06.Amanhecer Total
-Despertar Pro sonho
-Sons Flutuantes
-Respiração Vegetal
-Primeiras Luzes No Final Da Estrada
-Cores Finais

Bonus Tracks :
07.Tributo Ao Sorriso
08.Adormeceu

Personnel :
*Sergio Hinds - guitars, vocals
*Cezar De Merces - bass, acoustic guitar, vocals
*Vinicius Cantuaria - drums, vocals

[ Thank you BOBBO59 for sending this post ]
[ Rip and scans made by Wildstrings (emule) ... many thanks mate ]
HERE (password is : phrockblog)

Senin, 25 Juli 2011

Nick Mason - Nick Mason's Fictitious Sports (81 uk/us prog related - Flac)

One would have to say that by 1981, it was high time for Nick Mason, Pink Floyd's drummer, to unleash a solo work, as all other Floyd members had already done so years before.

What we have here is not a Mason 'solo' work per se, (we don't get any experimental treats like 'The Grand Vizier's Garden Party) ; all of the compositions were written by Jazz keyboardist Carla Bley, and involved many jazz oriented musicians such as Gary Window, Steve Swallow, Mike Mantler, Chris Spedding and the wonderful Robert Wyatt, among others.

The musical style couldn't be further away from Floyd as this : a nod towards Zappa, a touch of Canterbury, and kind of alternative rock with slight RIO tendencies (actually, these observations could be applicable to certain Floyd in some ways...).

Humour permeates many songs on the album, and with Wyatt handling the mic, there is no-one better to convey the often quirky lyrics with as much intelligence and wit.

Technically speaking, Mason's drumming is almost perfunctory (he's not the world's greatest drummer, but he often has a headful of ideas and a 'magic touch') whilst the rest of the band play their parts perfectly around him, the brass instruments in particular.

No one song is better or worse than the other, making it a fairly consistent listen throughout, but hats off to 'I Was Wrong' and 'I'm a Mineralist' (minimalist, I guess). (by Tom Ozric from progarchives)


Track List :
01.Can't Get My Motor To Start
02.I Was Wrong
03.Siam
04.Hot River
05.Boo To You Too
06.Do Ya?
07.Wervin'
08.I'm A Mineralist

Personnel :
*Nick Mason - drums, percussion
*Carla Bley - keyboards, songwriter
*Robert Wyatt - vocals
*Chris Spedding - guitars
*Steve Swallow - bass guitar
*Michael Mantler - trumpet
*Robert Wyatt - vocals
*Karen Kraft - vocals
*Gary Windo - tenor/bass clarinet, flute, additional vocals
*Gary Valente - trombones, additional vocals
*Howard Johnson - tuba
*Terry Adams - piano on Boo To You Too, harmonica and clavinet on Can't Get My Motor To Start
*Carlos Ward - additional vocals
*D. Sharpe - additional vocals
*Vincent Chancey - additional vocals
*Earl McIntyre - additional vocals

[ Thank you DR BELL OTUS for sending this post ]
[ Rip and scans made by torrents ]
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